Arts Management, Cultural Policy, & the African Diaspora is a one-of-a-kind book that delves deep into the nuances and complexities of cultural management and preservation. This book challenges the lo...ng-standing myth that people of African descent do not care about or know how to manage their own cultures. It centers these individuals as cultural leaders and showcases their contributions to humanity's rich and diverse cultural landscape.
The book presents comparative case studies that explore the challenges, differences, similarities, and successes of cultural leadership across multiple cultural contexts throughout the African diaspora. In doing so, it disrupts the systemic marginalization, oppression, and subjugation faced by people of African descent, highlighting their cultural contributions to the world.
One of the most significant features of the book is its geographical focus on the African diaspora as a means of exploring arts management and cultural policy. This approach allows for a more comprehensive understanding of the issues faced by people of African descent across the globe, making it an essential contribution to the fields of Arts Management, Cultural Policy, Cultural, Africana, African American, and Ethnic studies.
The book's examination of ten critical, historical, practical, and theoretical questions makes it an invaluable resource for scholars, policy-makers, artists, and cultural leaders alike. It provides a robust framework for understanding the complexities of managing and preserving cultural heritage in the context of the African diaspora, challenging people to think deeply about the issues and offering practical solutions for addressing them.
In conclusion, Arts Management, Cultural Policy, & the African Diaspora is a groundbreaking book that offers a fresh perspective on cultural management and preservation. It celebrates the contributions of people of African descent to the world's cultural heritage and provides a much-needed framework for understanding the challenges and opportunities of managing and preserving cultural heritage in diverse cultural contexts. It is a must-read for anyone interested in cultural studies, arts management, and policy-making.
Music Cities Evaluating a Global Cultural Policy Concept
Music Cities: Evaluating a Global Cultural Policy Concept is an insightful book that examines the concept of a ‘music city’ as a form of urban cultural policy. With a particular focus on heritage,... planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts shape the nature of music city policies in particular cities.
The book brings together contributions from a diverse range of academic and professional practitioners. This unique blend of perspectives provides a critical evaluation of the music city concept, which has been widely adopted in policy circles across the globe but has yet to be subject to significant empirical and conceptual scrutiny.
The book investigates a range of cities, including San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton, and draws attention to the different challenges faced by each city. These challenges, which are influenced by unique local contexts, include the establishment of music-centric tourism, the preservation of musical heritage, and the involvement of regulatory measures in shaping the music scene.
What sets this book apart is its commitment to providing a comprehensive evaluation of music cities from a global perspective. By comparing a diverse range of cities, the book highlights the similarities and differences in the approaches taken by different places towards music policy. This comparative approach enables readers to gain a more nuanced understanding of the phenomenon of music cities, its benefits and challenges.
Overall, Music Cities: Evaluating a Global Cultural Policy Concept is an essential read for policymakers, academics, and music industry professionals alike. Its insightful analysis broadens our understanding of music cities as a global cultural policy concept and reveals the ways in which local contexts shape music policy. This book represents a significant contribution to the discourse on cultural policy and should be the go-to resource for anyone interested in the subject.