Duveen Brothers was founded by Joseph Joel Duveen and his older brother Henry Duveen in 1877 in Hull, England. The brothers realized that the market for decorative arts was growing quickly, and they d...ecided to fill the demand for beautiful and valuable items. Starting from a small shop in Hull, the brothers expanded their business and opened branches in London's Bond Street, Paris, and New York.
Duveen Brothers quickly became the go-to art and antique dealer for wealthy clients, including industrialists, financiers, and other members of the upper class. Their clients included Henry Clay Frick, who was an early and loyal customer; John D. Rockefeller Jr., who was a major collector of fine art; Arabella Huntington, an heiress and socialite with a passion for art; and John Pierpont Morgan, who was one of the most important collectors of his time.
The Duveen Brothers earned their reputation and success by buying and selling high-quality furniture, tapestries, porcelain, and other objets d’art. They traveled extensively in Europe and the Middle East, looking for exceptional works of art to add to their collection. They also employed some of the best restorers and craftsmen in the world to restore and improve the items they acquired.
In the late nineteenth and early twentieth centuries, the market for decorative arts grew quickly in the United States, and Duveen Brothers seized the opportunity to expand their business there. They opened a branch in New York in 1909 and soon established themselves as the leading art dealer in the country.
The firm's success was also due to their ingenious marketing strategies. They often created exhibitions that showcased their best works, and their catalogs were beautifully designed and illustrated, making them sought-after collectibles in their own right.
Duveen Brothers played a significant role in shaping the taste of the wealthy elite in the United States and Europe. They were responsible for the acquisition of some of the most iconic works of art, including the Frick Collection in New York, which comprises some of the finest examples of European painting, sculpture, and decorative arts.
In 1964, the Duveen Brothers closed their business after almost a century of trading. However, their legacy lives on, and their contribution to the art world cannot be overstated. Their exceptional eye for quality and their commitment to preserving and showcasing the best decorative arts of their time have left a lasting impression on the art of collecting.
The Grammar of Ornament is a classic reference book on ornamental design that has remained a popular resource for designers, artists, and historians since its initial publication in 1856. The book was... written by British architect and designer Owen Jones, who was known for his innovative and groundbreaking approach to design in the Victorian era.
The Grammar of Ornament features detailed observations and analyses of decorative arts from around the world, including Egypt, Greece, India, and England. The book showcases key examples of ornamental design from different historical periods and cultures, providing designers with an unparalleled visual reference of various decorative styles.
As a design treatise for the machine age, The Grammar of Ornament is a groundbreaking text that celebrates the beauty of ornamental design while also advocating for a more thoughtful and deliberate approach to design. Jones sought to improve the quality of Western design by encouraging designers to move away from indiscriminate mixing of various design elements and instead create more cohesive and harmonious designs.
The book is lavishly illustrated in vivid chromolithographic color, showcasing the intricate and detailed elements that make up ornamental design. The full-color edition of The Grammar of Ornament is a complete and unabridged version of the original text, making it an indispensable resource for anyone interested in the history and practice of ornamental design.
Overall, The Grammar of Ornament is a timeless and inspiring work that celebrates the universal appeal of ornamental design, while also encouraging thoughtful and deliberate design practices. Whether you're a designer, artist, or historian, this book is a must-have addition to your library.
Introducing the stunning Ebros Vincent Van Gogh Starry Night Stained Art Box! This beautiful box measures L: 4" x W: 4" x H: 2.25" and is the perfect place to store your jewelry, trinkets, or other va...luable possessions. With its unique design and rich history, this box is not just a functional item, but a piece of art that will add an elegant touch to any room in your home.
Made of stained glass on the lid and patterned/frosted glass on the body, this box captures the iconic beauty of Van Gogh's Starry Night masterpiece. This painting is one of Van Gogh's most renowned works, created during the last two years of his life when he was going through a difficult time both physically and mentally. Starry Night depicts the view from his hospital room window, which he painted from memory and imagination.
The composition includes the village of Saint-Remy, with the church in the center of the village. It is said that the religious symbolism in the painting, including the eleven stars mentioned in Genesis 37:9, reflects Van Gogh's evangelistic tendencies. Whether you appreciate the religious aspect or simply admire the stunning artistry, this box is sure to be a conversation starter.
Please note that props seen in the photos are not included with the item and are only meant for size comparison. This Van Gogh Starry Night Box is a perfect addition to your home decor or a thoughtful gift for someone who appreciates art and beauty. Don't miss out on the opportunity to own a piece of history with this exquisite stained art box.
History of Design Decorative Arts and Material Culture
The "History of Design Decorative Arts and Material Culture" is a fascinating and comprehensive survey that delves into the evolution of decorative arts and design worldwide over the past six hundred ...years. This landmark publication covers an extensive range of topics, including interiors, furniture, textiles and dress, glass, graphics, metalwork, ceramics, exhibitions, product design, landscape and garden design, and theater and film design, providing readers with a holistic overview of the cultural, social and political influences that have shaped design objects and material culture throughout history.
The book is divided into four chronological parts, with each part subdivided geographically, enabling readers to explore the various forms, materials, and techniques of decorative arts and design in different regions of the world. Through meticulous documentation and numerous illustrations, the authors examine the evolution of style, form, and techniques while highlighting significant issues, such as gender, race, patronage, cultural appropriation, continuity versus innovation, and high versus low culture.
Leading authorities in design history and decorative arts studies present hundreds of objects in their contemporary contexts, demonstrating how the applied arts have enriched customs, ceremony, and daily life globally over the past six hundred years. As such, this landmark publication contributes a definitive classic to the existing scholarship on design, decorative arts, and material culture while introducing new readers to the complexities, breadth, and interconnectivity of these fascinating subjects.
Overall, the "History of Design Decorative Arts and Material Culture" is a must-read for anyone interested in design, decorative arts, material culture, history, and culture. With its comprehensive coverage, meticulous documentation, and numerous illustrations, this book is a valuable resource that is bound to inspire and educate its readers.